Showing posts with label the shins. Show all posts
Showing posts with label the shins. Show all posts

Tuesday, September 21, 2010

The Sleep-Ins Take Girls And Outer Space On The Road Fall Tour Starts October 22nd

Work visas be damned, The Sleep-Ins will bring their soaring indie rock to Southeastern audiences this fall. The band, which formed in Sydney and is now based in Asheville, NC, will begin a U.S. tour in October at the Poetic Shangri-La in Goldsboro, NC with two sit in members. AJ Donahue and Jeremy Dean will fill in for Josh Schuberth and Stefan Pope. The tour will be promoting The Sleep-In’s Songs About Girls and Outer Space which is due out October 19th.

While The Sleep-Ins probably won’t be lighting anything on fire on their 11-date tour of the US Southeast, they will be putting their all into every high-energy performance. They’ll also be bringing along some great pieces of musical machinery. Beautiful-sounding tube amps, a finicky MiniMoog, and “Hot Cake” guitar pedals give this quartet of audio engineering degree holders their roaring indie rock sound.

The rock n roll gods brought this band together, in, of all places, a guitar shop in Sydney, Australia, where Chad Corley was looking for a job shortly after relocating from Indiana. He and Stefan Pope discovered they were on the same musical wavelength - a sound that would define the Sleep-ins — is a soaring, melodic and often thundering indie rock with a cerebral nod to the Pixies, Polvo, Shellac and The Shins.


The Sleep-Ins Tour Dates
10/22/10 The Poetic Shangri-La, Goldsboro, NC
10/23/10 Champions @ Mission Valley, Raleigh, NC
10/28/10 The Boiler Room, Asheville, NC
10/29/10 Rye Bar, Athens, GA
11/11/10 The Downtown, Morristown, TN
11/12/10 The Emerald Lounge, Asheville, NC
11/13/10 The Emerald Lounge, Asheville, NC
11/18/10 The Green Lantern, Lexington, KY
11/19/10 The Monkey Wrench Louisville, KY
1/7/11 The Basement, Nashville, TN
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Monday, July 12, 2010

Staff Infection: Radiohead: Real and Imagined Soundtracks

I hope I'm not the only one who's ever experienced this. You're walking, running, biking or driving down the street listening to some music. A song comes on that transports you into the movie that is your life. There's a reason we make this connection. Soundtrack Coordinators work hard to use music to evoke a mood. When we see the movie, the action on screen is inextricably tied to the music we hear. Here's some songs that have provided that extra emotional oomph to some of my favorite real (and imagined) movie soundtracks.

Radiohead, "Black Star" from The Bends, and a super-emo mixed tape from my past.

Feist, "Mushaboom" from (500) Days of Summer Soundtrack



Thomas Newman, "Dead Already" from The American Beauty Soundtrack

"This whole soundtrack got me through my first stint in college. I listened to it over and over while I did my homework or wrote papers.Thanks for that Magna Cum Laude, Tom."

Sufjan Stevens, "Chicago" from Little Miss Sunshine Motion Picture Soundtrack (and about a million "indie" movie trailers)

Frou Frou (featuring Imogen Heap) , "Let Go" from Garden State Soundtrack

Jack Lawrence , "Beyond the Sea"
(performed in movie by Ewan McGregor and Cameron Diaz) from A Life Less Ordinary Motion Picture Soundtrack

"A note that the McGregor/Diaz duet doesn't actually exist on any soundtrack (and believe me, I've looked), so for full enjoyment, rent this lesser known work of Academy Award winner Danny Boyle."

Jace Everett, "Bad Things" from True Blood Original TV Soundtrack

The Shins, "New Slang" from Garden State Motion Picture Soundtrack

Prodigy, "Firestarter" from The Fat of the Land (and the inside of my head)

Each Monday a different Green Light Go staff member will let you in on what songs have infected their ears for the week, while giving you the opportunity to share in the experience yourself.

This week: Kelly Bennett, Green Light Go Publicity Assistant
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Friday, June 18, 2010

Favorite Friday with The White Ravens: Dissecting The Shins

Amy Bennett of sibling duo The White Ravens has a very unique way of thinking about the songs that she listens to and how they affect her. Bennett thinks and sometimes talks like a scientist-turned-indie rocker who still has a youthful wide-open view of the world. While we may not understand everything she is talking about; it's completely intriguing to see how music makes the wheels in her head spin. Gargoyles and Weather Vanes is set for release July 6!

The Top 5 Songs That Convince Me Mind Control is A-Okay


1. "Red Rabbits," The Shins
One moment I’m sitting in a comfortable swivel chair in front of my computer, my cursor descending upon a certain music track in iTunes. The next moment, my lungs are being crushed under layers of sedimentary rock, and something very strange is happening to red bunnies. No, I haven’t gone off the deep end, The Shins have just caused me to involuntarily hallucinate. I like this. In fact, I’d surrender control of my own mind to The Shins’ visually evocative lyrics anytime.




2. "Machine in the Ghost," The Faint
I am completing some unrelated, and generally menial task, such as sucking up liquid with laboratory equipment and squirting said liquid into something. This is a comforting task. All is well with the world. Suddenly, something shatters the nirvana of liquid relocation. A sound on the periphery of hearing. It sounds awfully like...buzzing. I look around the lab, to make sure that nothing is quietly exploding. I strain my ears. It hits me: the noise is inside of my head, and has lyrics, too. Witty lyrics. In a whir of synths, I realize that it is “Machine in the Ghost." In the hierarchy of deviously insidious songs, “Machine in the Ghost” has to be at least an emperor. An emperor to which one wants to surrender ones mental territories. Frankly, The Faint, go ahead. Your synthesizers can have my brain.

3."Die by the Drop," The Dead Weather
When I listen to “Die by the Drop” I find my feet tapping. Involuntarily. The Dead Weather’s bulldozer of distorted guitars and vocals pummels both not only my brain, but my body into a state of zombie-like entrancement.

4. "Parasites," Daniel Kahn
A parasitic liver fluke worm manipulates the minds of its ant hosts. By day, the ants perform their normal tasks in the ant colony, but during the night, the ants crawl to the tips of blades of grass and wait to be consumed along with a mouthful of grass, by a cow. By toying with the minds of ants, the liver fluke worm finds its way back to the cow, its final host. In “Parasites,” Kahn describes the life cycle of liver fluke worms and two other parasites in gory, excruciating detail, to the sounds of blaring Klezmer clarinet and accordion. If all mind control is accompanied by sizzling hot, gleefully sinister Klezmer music, I say bring on the parasites.

5."She’s Actual Size," They Might be Giants
If your lyrics are frightening enough to induce phobias in listeners, you know you are doing something right. They Might Be Giants manages to write lyrics that are so mind-manipulating, they instill me with a deep fear. It can only be described in TMBG’s own words: “Words fail, buildings tumble, the ground opens wide, light beams down from heaven. She stands before my eyes.” I don’t know exactly what “she” is. I generally imagine a bear/woman hybrid with sledgehammers for arms. Regardless, living in a world in which I feel empowered by the availability of information, and microwavable chocolate thingies, I have disturbing lack of helplessness and irrational fear. Thank you, TMBG, for providing my brain its daily required dose of pure, visceral terror.

Each Friday, hence the name Favorite Friday - one GLG band/artist will send us a list and comments about their "favorites" of the week. It could be a list of albums they are listening to in the van, books they are reading, guilty pleasure TV, and so on. We hope these various "favorites" will give you unique glimpse into the lives of our bands.
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Wednesday, May 12, 2010

The Shins, Rogue Wave Have Competition

The Naked Hearts and No Second Troy album reviews are still rolling in, making us glow with pride!

Medleyville had really seems to get what No Second Troy are creating with Colors; how their indie sensibilities can be related to radio-ready lush modern rock, but the album's hues are up for different interpretation by each listener.
"In his band's bio, No Second Troy keyboardist Mike Beach talks about trying to navigate the middle ground between today’s pop and indie music, and in doing so makes a reference to pre- and post-"Clocks"-era Coldplay. Beach's Washington, D.C.-based band really has a lot more in common with The Shins and Rogue Wave in terms of pop sensibilities, attention to detail and good indie instincts – in other words, having the nerve and the smarts to throw in just the right amount of twists and turns to keep things interesting and a little different. Colors (out now) has plenty of crafty gems, with "The Black and White Movie" and "This Is the End of Me" far and away the best of the album's 12 tracks."



It may be obscure, but website Aiding and Abetting are into the '90s swing of Naked Hearts' Mass Hysteria. Read on....

"Oh, goodness. It's been a while since I've heard some honest-to-God indie rock. The Naked Hearts are Amy Cooper and Noah Wheeler (Cooper handles the guitar, Wheeler the bass and drums; both sing). Grungy, bouncy, lo-fi, sparkly, you name it. The Naked Hearts do it all in a minor key, and they make it snarl. Pop songs for the truly disaffected, I suppose. These are brittle pieces of brilliance pasted to the ceiling of a disillusioned teenager. I think we've all been there. The Naked Hearts have moved on a bit, but not so much that they cannot tap that primal pit of pain."

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