Showing posts with label washington post. Show all posts
Showing posts with label washington post. Show all posts

Saturday, October 02, 2010

Bridges & Powerlines Join CMJ for Showcase at Pete's Candy Store

It’s become an annual tradition. CMJ and Bridges and Powerlines. This year, Bridges and Powerlines will play an Official CMJ Showcase at Pete’s Candy Store on October 22nd as part of CMJ’s Music Marathon and Film Festival which takes over New York from October 19th through October 23rd. This year’s festival features hundreds of musical acts including: Phoenix, Surfer Blood, Two Door Cinema Club, School of Seven Bells, Justin Townes Earle, Black Label Society, Four Tet, The Drums, and many more.

This stop at CMJ is part of Bridges and Powerlines fall tour with dates in New York, Philadelphia, and North Carolina. The tour will preface the release of their second full-length album, Eve, which comes out January 18, 2011. The album examines life before September 11, 2001, a significant date to most Americans, but especially for the members of Bridges and Powerlines. Andrew Wood (keys/vocals), David Boyd (guitar/vocals), Keith Sigel (bass/vocals), and Mason Ingram, of Connecticut, Kentucky, North Carolina and Texas respectively, they were all drawn to the city out of the nostalgic goodwill that developed as the nation recovered. The city they soon called home was beginning a indie pop boom, and the four of them, with their shared love of intricately arranged three-minute pop songs became a part of it.

Bridges and Powerlines has received much praise from the likes of Pitchfork, “now that's power,” Paste, and The Washington Post and their first album Ghost Types, which was produced by Chris Zane (Les Savy Fav, White Rabbits, Asobi Seksu), enjoyed a seven-week run in the CMJ Top 200. Gothamist said they are “worth standing in a crowded club to see,” which audiences all over the east coast may just have to do.

Celebrating its 30th year, CMJ Music Marathon & Film Festival is headquartered this year at New York University’s Greenwich Village campus and dozens of downtown Manhattan and Brooklyn venues. CMJ, New York City’s largest music festival, brings together more than 120,000 music fans, music business professionals, college radio tastemakers, press, artists, filmmakers, and industry icons. Artists from more than 30 international territories are expected to partake in CMJ Music Marathon 2010, from Australia to Japan and everywhere in between.

CMJ Official Showcase
Bridges & Powerlines
October 22nd
Pete’s Candy Store
709 Lorimer Street, Williamsburg, Brooklyn
Show Time: 11:00 PM
21+


Bridges & Powerlines Tour Dates

10/5 Spike Hill, New York, NY
10/22 CMJ Pete’s Candy Store, Brooklyn, NY
10/22 The Beast of The Northeast, Arlene’s Grocery, New York, NY
11/03 -Kung Fu Necktie, Philadelphia, PA
11/05 Cakeshop - New York, NY
11/12 Ronnie’s Bar, Chicago, IL
11/13 Cicero’s, St. Louis, MO
11/16 Al’s Bar, Lexington, KY
11/17 Caledonia Lounge, Athens, GA
11/18 The 529, Atlanta, GA
11/19 Evening Muse, Charlotte, NC
11/20 The Cave, Chapel Hill, NC
11/21 The Pourhouse, Raleigh, NC
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Tuesday, June 29, 2010

News Roundups from Blender, The Washington Post, Indie Rock Cafe and more

The Blender Blog's article on "The Ukulele's Unlikely Renaissance" is all in favor of Neutral Uke Hotel's mission to "to unite obsessed fans of Neutral Milk Hotel for a live performance of their critically acclaimed "In the Aeroplane Over the Sea" album, played in its entirety on ukulele" and says, "The album's beloved songs have reached canon status, so why not interpret, and reinterpret, and why not on a ukulele?"

Jersey Beat raves about The True Jacqueline's Nice Bird, saying "Oh, yeah baby! Bring it on! You ever listen to an album that’s so delightfully bouncy, upbeat, and flat-out insanely appealing fun that it just makes you wanna say all sorts of wacky nice stuff. Well, man, this is exactly that kinda album."


Aol Music is currently featuring Avi Wisnia's Something New on Full CD Listening Party.

The Washington Post lists No Second Troy's Iota show on its Going Out Guide.

Magnet's MP3 At 3PM posts "California Run" and "Highways" from Neil Nathan's upcoming The Distance Calls. They say of "California Run," "The country-inflected single breezes by like a convertible cruising down the PCH, sounding like a long-lost Old 97’s track that was recently unearthed."

Tympanogram says of Neutral Uke Hotel's NXNE performance, "The group is obviously reverential, and they impart their love for an album that was formative for them, and one that they personally cherish in the way they know best. ...not everyone can express their appreciation for them in such a stirring manner."

The True Jacqueline's "Monde Green" (from their release Nice Bird) is posted on KEPX's Out This Week and on Indie Rock Cafe.

Listen Dammit posts "Song for Adam," a track from Sara Radle's upcoming full-length, Four.

Buzzgrinder and Electric Mustache list the release of The True Jacqueline's Nice Bird.
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Friday, April 30, 2010

Washington Post Kindred spirits: Kings of Leon, Coldplay


Upon the release of No Second Troy's new album Colors, celebrated reviews have been popping up everywhere, all in time before the band's CD release show, Saturday, May 1st at The Black Cat in Washington, DC. Yes! Finally the show is here!!! Woot!

Catherine Lewis of The Washington Post listened to Colors with feeling when she wrote, "The D.C.-based quintet effortlessly conveys the ennui of early adulthood without sounding mopey or solipsistic. These songs are, at their core, sweet pop-rock tunes; they're just infused with a sense of realism and truth." Lewis also noted, "The album standout is the thoughtful "Leap of Faith," in which lead singer Jeff Wharen's vulnerability sounds as if he's both pleading with someone specific and wondering whether that special someone will ever appear."

Delusions of Adequacy also posted an in-depth review of Colors, noting the album's audible sense of colors. "The album’s strategy can be simply detailed: everything, including the music, is made up of colors that attempting to deem something as right/wrong, bad/good, or even, black/white will never amount to anything because of all the grays involved. But upon further listening, one can easily notice that while topical in many forms, it’s a debate that has been raging for years. And through the album’s music, everything is brought forth by musicians that are all comfortable in their own skin, aware of their abilities as band mates. These assets provide an album that is not only aware of its challenging themes but at the same time, filled with an abundant amount of great music," wrote Bryan Sanchez. Click Here to Read More..